3 TAMIL MOVIE DIALOGUE PLUS

Inspired by the great tradition of silent movie clowns, most notably Buster Keaton, plus his own background as a mime artist, TatiвЂ™s first outing as his iconic alter ego Hulot, is as unassuming and singular as his protagonist. вЂ¦ Jacques Tati showed all-too clearly how limited dialogue can speak volumes. And all the more salutary when one can see that just one year later across the AtlanticвЂ¦ Les Vacances de M. ItвЂ™s a film that would be vastly improved with dialogue, a great cautionary tale of when style overwhelms substance. So ultimately whatвЂ™s most instructive about The Thief are the things it gets wrong: too much over-expressive facial acting, too many contrived silent set-ups that obscure character development and motivation, as well as an over-emphatic soundtrack to fill in the gaps. (1949), which memorably opens with a man reporting a murder вЂ“ his own, through a slow-acting poison. ItвЂ™s hard to envisage the film as much more than a gimmick along the lines of director Russell RouseвЂ™s previous (and far more successful) screenplay for high-concept thriller D.O.A.

In this Cold War espionage tale of Ray MillandвЂ™s nuclear physicist turned spy, the absence of dialogue results in numerous shots of people scowling at each other across city streets, phones ringing with no answer and weirdly wordless encounters between people who would surely have plenty to say to each other. Truth be told, The Thief is few peopleвЂ™s idea of a great movie. Set among a volatile subset of young people at a Ukrainian school for the deaf, itвЂ™s eye-catching in its fluid long takes and inexorable tracking shots, uncompromising in its brutal storyline, and both in its relentless use of sign language, without benefit of subtitles or translation. Take Miroslav SlaboshpitskiyвЂ™s The Tribe, which won the best film award at the 58th BFI London Film Festival. That said, visual storytelling is an art form and when dialogue is stripped down, or completely away, itвЂ™s most evident. Mankiewicz and Billy Wilder to Quentin Tarantino and Charlie Kaufman, have greatly enhanced their work with fizzing, inventive wordplay. No serious cineaste would argue against soundвЂ™s importance in motion pictures, but thereвЂ™s also some truth in the puristsвЂ™ notion: if a pictureвЂ™s worth a thousand words, is a cinema over-reliant on dialogue somehow devalued?Д¬learly cinemaвЂ™s finest screenwriters, from Joseph L.

Despite the enormity of synchronised dialogueвЂ™s impact on the film industry, starting in features with 1927вЂ™s The Jazz Singer, thereвЂ™s a school of thought which claims that the вЂtalkiesвЂ™ somehow compromised cinemaвЂ™s essence that the rapid dominance of the spoken word detracted from filmвЂ™s unique visual potential, dragging it back towards the theatre or even pictorial literature.

3 tamil movie dialogue